For Christmas my better half bought me a load of film some of which was motion picture stock.
I have shot a few of the daylight balanced ones but never tried using the Tungsten balanced before.
After reading up on the interwebs about what filter I would need when shooting in daylight with this film I realised that I didn’t have and 85A or 85B filter … the closest I had was an 81B so I loaded up my F100 and stuck the 81B on the 50mm f1.4 and went out to give it a go.

The day was a little overcast so I decided to rate the roll at 400 just to see how it performed as I have read that it can be shot at quite a few iso’s so 400 was in the middle.



I shot a varied set of subjects but didn’t manage to shoot a portrait as I shot the roll before I knew it …





I developed the roll at home in C41 chemistry after removing the remjet and was very happy with how they looked.
I am impressed with the sharpness and the nice grain.
The colours were a little subdued and cool which I am not sure if that was because of my development or rather the fact that I used an 81B instead of an 85.








I have now bought an 85A & 85B to try next time … also I will either buy some ECN-2 chemistry or get it developed in a lab to see what this film stock looks like in the proper chemistry.
Anyway thanks for looking ….
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All images on my blog are available as prints just drop me an email
I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂































I love trying new/old film stocks, usually its some old expired stuff I find on eBay but for a change I picked up a 3 roll box of Lomography Colour Negative 400 35mm last week and was interested in seeing what the film was like compared to some of my favorite films like Portra 400 vc or Fuji Reala.



The brighter the light the more saturation I seemed to get which was great.







Last week I did my good deed of the month by giving away a camera to a twitter photographer friend who was happy to pay the postage but also gave me a lovely surprise by also sending me a little Lomo camera along with a selection of films one of which was some Fuji Velvia RVP50 which I have not had a great deal of experience with.
I have shot plenty of Fuji Velvia RVP100 in both 35mm and 120 with lovely results but the RVP50 Â was quite a new experience.

When opening the developing drum the colours were popping even before holding up to the light and once I got the scans into Lightroom I began to understand why photographers rave about this iconic film stock.


The day that I shot the film was bright and sunny which obviously aided the look of the images with the Reds and greens almost aglow.


As I said in a previous post I have been taking part in a Twitter competition called #SummerFilmParty … only using certain film types then posting the results and if chosen the participating photographers get to vote for the winner.




















This was the last #SummerFilmParty but other parties have been planned so watch this space.
Last week I managed to source some of my favorite colour negative film Fuji Reala from ebay and along side of the Reala the vendor also had some Kodak Vericolor II which I also bought to give it a try.







It was an overcast day with glimpses of sunshine now and again.














As usual it was fun to be a part of …. here is the link to Emulsive where you can see the info about this and future competitions ..Â









