Fuji Reala 500D developed in C41 Chemistry …. Something went wrong but I think I like it

I have shot Reala 500D quite a few times and love the subdued colours when developed in C41 chemistry.

This weekend was quite drab and rainy here in Wales so I wanted to shoot colour film stock on my walk and at 1st I was going to shoot either Lomo 400 or 800 but I have been using both of those stock quite a bit recently so I remembered I still had a few rolls of Reala 500D in the fridge so I went with that for a change.

I shot it at iso 250 using my Minolta X700 with the 50mm f1.4 with the hope of getting less grain as I have seen plenty of images on the internet shot at least 1 or even 2 stops over that have looked lovely.

I have processed remjet backed film before so I mixed up a big jug of soda crystals with warm water and proceeded to fill/shake/discard the solution a few times before development to remove the remjet.

The 1st fill came out black as normal and got lighter by the 3rd fill but to my surprise the 4th and subsequent fills were coming out greeny yellow.

I used all my solution and then developed the roll as normal.

Once out of the tank the film looked pretty normal to the naked eye, maybe a little on the dark side but it wasn’t until I went to scan the images I realised there was something wrong.

There were areas of magenta and green and quite a bit of grain.

At first I was well cheesed off but after tweaking the RGB channels individually on each frame in Epson scan I did get some reasonably even colours which I then managed to edit further in Lightroom.

After the initial depression of the 1st scans I really liked how most of the photos looked … Obviously the colours were pretty wrong but overall I feel that they all seem to work for the subject matter.

I am not really sure what went wrong but my assumption was that the remjet removal bit was at fault.

The C41 chemistry is only 8 rolls old so I think that was not the problem .. also the film itself was from a batch that I have shot before that was fine.

So here is the best selection … click on an image to view larger…

All images on my blog are available as prints just drop me an email

I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂

Eventually trying my 1st roll of Silberra Ultima 200 …….

It must be a year or two back that I supported a Indiegogo campaign for Silberra where I received 2 rolls of film … Pan 200 & Ultima 200.

You can see my Pan 200 results here .. Silberra Pan 200 …

So here is the 2nd roll Ultima 200 … I shot it using my Nikon F100 and processed it using Rodinal at 1+25 dilution for 8 minutes.

The film was a a bugger to load onto the reel in the darkroom and was also a pain to scan due to how very thin it was .. that said once scanned I was pretty happy with how it looked.

The contrast and sharpness was nice, not bad tonal range either and to my eye the grain didn’t seen as pronounced as the Pan 200 I had shot before.

I doubt I will be shooting any more as it doesn’t really bring anything new to what I shoot that HP5 or plenty of other stocks that I regularly use, also I won’t miss the loading/scanning problems.

So here are a selection of images ….

All images on my blog are available as prints just drop me an email

I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂

First time shooting Kentmere 400 ..the whole roll ….

I have been meaning to try Kentmere film for absolutely ages.

I have read blogs and reviews where people have sung it’s praises comparing it to my beloved ilford HP5 at a bargain price.

I have had some 100 iso in the fridge for ages but recently I picked up some of the 400 so for the first roll I decided to rate it at box speed just to get a feel of the film.

My goto camera for testing 35mm is my Nikon F100 which meters very consistently so I can sort of compare film stocks, well at least to my eye anyway.

I processed it in ilfotecHC 1+15 dilution for 4 minutes 30 seconds as per massive dev app times and scanned with my old Epson v500.

The results were great I was very happy with how the film performed.

There was plenty of detail with pretty nice grain and the tonal range was very pleasing.

Considering it only costs £3.80 per roll from the most excellent Analogue Wonderland (link here : kentmere-400-film-35mm-b-w-iso-400)

Its extremely good value especially if it pushes well like I nearly always do with HP5.

I will try my next roll at 1600 to see it it holds up …

So here are all the frames … comments most welcome

All images on my blog are available as prints just drop me an email

I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂

 

Forgotten roll of Lomo CN400 from the summer ….

I have been getting really behind with my blogging … I have loads of rolls that I have shot over the last few months that I have scanned but have only edited one or two frames that I have then posted to social media but not done anything with the rest.

This roll is a case in point … last August there was an event in Bridgend town centre with stalls, street entertainers and live music.

The weather was pretty good and I took my Olympus OM2s which was already loaded with my favorite colour negative film stock Lomography CN400 which I had shot 2 frames already from a trip to Cardiff.

I only shot about half of the roll during the event as I somehow found myself in the pub so I finished the rest the following day which is why there is a strange juxtaposition of images here 🙂

The Lomo film worked great as usual I love the colours it produces especially if you slightly over expose it 1/2 to 1 stop but process as normal.

Here is a selection from the roll

Click any image to view larger ……

All images on my blog are available as prints just drop me an email

I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂

Enjoying my Pentax Super A with some Lomo CN 800 …

I blogged a while back how I managed to stupidly lose my 1st Pentax Super A after only shooting a few rolls with it.

Since buying another  one I have been shooting it quite a bit and being extremely careful not to take it (or any other camera) out whilst partaking in some alcohol .. this isn’t a problem at the minute due to this worldwide Coronavirus lockdown.

I love the Lomo CN400 colour film stock and would go as far as to say it’s my favourite colour film by a country mile.

When I replenished my Lomo film stash a few weeks ago I also bought a few rolls of CN800 just to compare it to CN400.

I have shot CN800 at night before and blogged it here .. Lomo CN800 at night

I am pleased to say that when it’s shot in good light that it gives excellent results too.

The colours are lovely and very comparable to CN400, the grain is definitely more pronounced but not so much as to be distracting and to be honest you have to zoom in to really notice.

I would be happy to shoot this film any time as it gives you the added bonus of using it when the light is less than good without having to push the film.

Here are a selection of the best frames ….

 

 

Please click a photo to view larger

All images on my blog are available as prints just drop me an email

I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂

 

Testing my 2nd Pentax Super A with Kodak TMax P3200 ….

About 6 months ago I picked up an SLR that I have wanted for ages a Pentax Super A.

I already have a few other Pentax’s including a Program A which is very similar but the Super has a top shutter speed of 1/2000 sec compared to 1/1000 which also shows on an LCD panel on the top.

To cut a long story short I somehow managed to lose that camera on a night out (Don’t ask) so I really wanted to get another one.

Super A’s are not that easy to get hold of especially in good condition but I managed to get one that was almost perfect but I needed to test it just to confirm I had a good one (as it was not cheap).

I had a few rolls of TMax P3200 that had just expired from Analogue Wonderland, I had already shot some before and were fine so I loaded up and went out for a local walk.

As you can see from a selection of images the camera worked great and I felt happy paying slightly over the odds for my 2nd copy.

 

All images on my blog are available as prints just drop me an email

I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂

Eventually trying ilford Ortho Plus 80 …..

When ilford were teasing about something new coming to the film photography market a while back I was eager to find out what it could be …

When they announced Ortho Plus 80 I was excited to try it out as I have never used Orthochromatic film before.

Just incase you don’t know what Ortho film is here is a little snippet from ilford….

ILFORD ORTHO PLUS is an orthochromatic black and white film. Designed as a high-resolution copy film for negatives, ORTHO PLUS offers superb photographic potential thanks to its fine grain and sharpness.

Ideally suited for landscape photography, the blue and green sensitivity of this emulsion enables the film to be handled in deep red* safelight conditions making processing and inspection easier.

Its lack of red sensitivity also means that reds and oranges in your frame are rendered darker with stronger contrast than standard panchromatic films (all other ILFORD and Kentmere films are panchromatic).

So over christmas I went out over 2 days trying to shoot a range of subjects to see how it performed … I used my Nikon F100 and 50mm f1.4 and developed it using ilfotecHC 1+31 dilution for 6 minutes.

I was really impressed with the images … lovely fine grain, great tonal range and really sharp.

If this was a bit faster than 80 it would challenge my love for HP5+ as my goto B&W film.

I have a roll of 120 to try next and may put it through my Fuji GW690iii to see how much resolution the lovely film stock will produce.

So here is most of the roll as I have omitted some frames as they were duplicates due to bracketing some images.

Please click a photo to view larger

All images on my blog are available as prints just drop me an email

I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂

Minolta X700 & Some JCH Streetpan 400….

Over the last few months I have been adding to my Minolta SLR collection and one of the cameras I have been looking for since I began was an X700 that was in good condition as well as a reasonable price and I eventually found one.

It appeared in excellent condition so I loaded it with some JCH Streetpan 400 and popped out to give it a test.

I shot the whole roll using aperture priority using the Minolta MD 50mm f1.7 and developed in Rodinal 1+25 dilution for 10 1/2 minutes.

As you would expect the images were lovely and contrasty/sharp and the camera exposures were pretty much spot on.

The camera was lovely to shoot with handling great and is probably going to be one of the Minolta SLR’s that I will shoot regularly.

Here is a selection of images … comments most welcome

Please click a photo to view larger

All images on my blog are available as prints just drop me an email

I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂

My 1st roll of Fuji Industrial 100 …..

There are not too many 35mm film stocks that I have not had experience of shooting but Fuji Industrial 100 has escaped me until now.

Normally from what I have read on the web only available in Japan but a few online uk vendors have been stocking it at reasonable prices.

As described by Analogue Wonderland

“Fujifilm Industrial 100 is a gorgeous colour negative film with exceptional sharpness, natural skin tones, and faithful colour reproduction.”

I didn’t shoot any portraits so I cannot vouch for the natural skin tones but the colours were gorgeous and the sharpness is excellent.

The images were shot on my Pentax Program A & 50mm f1.7.

I had the film developed and scanned by Filmdev who as per usual did a wonderful job.

Here is a selection of the images …..

 

Please click a photo to view larger

All images on my blog are available as prints just drop me an email

I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂

Lomography Color Negative 400 at the car show ….

A couple of weeks ago there was a small classic car show here in Bridgend town centre and as we were blessed with a bit of sunshine I loaded the Nikon F100 with my favourite colour film stock .. Lomography Color Neg 400 along with the Nikkor 50mm f1.4 and went down with the intention of getting closeup and detail shots as well as the normal car shot.

This film always gives it’s best when shot in good light and didn’t disappoint this time with lovely popping colours along with excellent detail.

I had the roll developed and scanned by Filmdev which as usual gave great results.

If you have never tried this film before then get your hands on some and give it a go I am sure you will be happy.

Anyway here is a selection of images ….. well to be honest it is almost the whole roll 🙂

Please click a photo to view larger

All images on my blog are available as prints just drop me an email

I also have a film only blog over at  usingfilm.wordpress.com if you want a peek 🙂