aperture priority – Page 7 – tim dobbs photography

Olympus Pen D ….1st time shooting Half-Frame ………

I have always fancied shooting a half-frame camera after seeing a lot of interesting image compositions on various webpages.

I was looking forward to trying to find subjects that could be paired together to make a different image than just single frames.

It was not really all that easy to do as I found out but I did manage to get a few keepers out of 72 frames, I also found out that hand holding the little Pen D at 1/30th second was not very successful in quite a few of the frames.

That said it was a very enjoyable experience with the camera and the zone focus didn’t prove to be a problem either with all the images being in focus except for the camera shake ones.

There does appear to be a slight light leak which showed up in a few frames so I will have to sort that before shooting more film.

I was really impressed with the sharpness of the images considering the small size of the negative, obviously they will be limited to the enlargement size but for up to 7 x 5 (maybe 10 x 7) they are great.

Once we get a brighter day I hope to shoot a roll of colour film just to experiment with trying to pair up colours as well as subjects.

Thanks for looking.

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You can also find my film only stuff over at https://usingfilm.wordpress.com/ if you want to see more film loveliness …..

Garw Valley Railway with an F100 & some HP5 @ 3200…..

The weather this weekend here in the South Wales valleys has been awful, Dark & very wet.

A walk up the mountain was out of the question but as luck would have it the Garw Valley Railway had an open day so knowing from past visits the light inside the shed was very low I loaded the Nikon F100 with some HP5 and pushed it to iso 3200 and used the AF-s 50mm f1.4.

Even shooting at 3200 I was having to open up the lens to f2.8 or wider to get a reasonable shutter speed so the sharpness I managed to get was pretty impressive.I have pushed HP5 before and I knew that the contrast/grain it produces would suit the type of subjects I was shooting.

The only disadvantage to pushing this much was losing the highlights but it didn’t spoil any of the shots really.I processed the film in Ilford ilfotec HC 1+15 dilution for 11 minutes agitating twice every minute which managed to keep the grain well in check while giving excellent sharpness.

HP5 is such an excellent film stock its so versatile in in my personal opinion looks better when pushed than box speed but I love deep blacks and contrasty/grainy images so it suits me.

I had 3 frames left when I got home and fired them off in the house wide open just as a test and to finish the roll so I could see the results.

The combination of the F100 and the af-s 50mm f1.4 is great the focus is spot on and the lens is so sharp. Thanks for looking

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You can also find me at https://usingfilm.wordpress.com/ which is all film only loveliness …

Bargain lens find … Tokina 28-70mm macro …..

I love charity shops, where ever we go if there is a charity shop then I have to browse.

I have picked up some pretty good bargains and this lens joined the list of keepers.It came boxed with Hoya filter fitted and original paperwork and was almost mint for the princely sum of £5.99.

I loaded the Pentax Program A with some expired ilford HP5 and as the weather was pretty poor I decided to push it to iso 800. As it didn’t have a date on the film and the prior storage was also not known I wasn’t really expecting the best results but thats the joy of shooting film I guess 🙂 After developing the roll I could see that quite a few frames seemed a little under exposed and in hindsight I should have given the film at least an extra 2 stops rather than the 1 stop of compensation that I did give to allow for the loss of sensitivity over the years. I was glad that I didn’t have to print this roll in my darkroom, it was quite easy to pull a lot of info from the negs with my scanner and I was pretty pleased with what I got.I don’t think that this was a good test for how sharp the Tokina is as the film didn’t lend itself to that type of test, I need to shoot some ektar or slides to test that but it was really nice to use and the handling was great.

This is a real old school type lens all metal and quite a bit of glass, it did seem a bit front heavy on the Program A but after a couple of frames it felt fine. All in all I am well pleased with this lens, usually I have the 50mm f1.7 on the Pentax all the time so the versatility of the 28-70mm range is very handy even though its not the fastest the viewfinder was pretty bright so really nice to focus with. The macro facility is handy, you can fill the frame at about 6 inches away which makes this lens very useful and I will have to shoot some fresh film to see how sharp it is.Thanks for looking

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Any comments & shares are gratefully appreciated 🙂

please visit my “Film” only blog over at https://usingfilm.wordpress.com/

if you like more film loveliness

“From behind”………..

I have been looking at loads of street photography lately and noticed how effective quite a few images were when shot from behind.

I didn’t think that I had taken many images this way as I prefer connecting with the subject in my image in some sort of way by either eye contact or even asking to take the image but after trawling though my catalogues I noticed that I did have quite a few images that worked when shot from behind with no subject interaction with me.Some of these images I have posted before but usually I never seem to use them unless there is something I like maybe the interaction with surrounding people or background/place.

Anyway, a short and sweet post today all these images were taken with a mixture of cameras ….. Film & Digital….. thanks for looking.

Processing C-41 in B&W chemicals……

I have loads of expired C-41 film which I have been shooting in various cameras mainly to test if the cameras I buy are working ok.

I have read on the web about all the different things that can be done when processing both B&W and colour films be it cross processing or caffenol type stuff and came across developing C-41 with standard B&W chemicals.

So I loaded up my T90 with some Boots 200 film that expired back in 2008 and went out for a walk.

I shot the film at box speed and processed it in Ilfotec HC for 10 minutes agitating 4 times every minute and then standard stop/fix/wash as per my normal B&W developing.

When the negs emerged from the tank my 1st thought was that there was nothing on the film as it looked totally black but when unrolled and held up to the light I saw there was something there albeit darker than what I usually see.Once dry the curl was horrendous and the scanning was hard work as the software could not identify the frames so I had to scan them individually but the epson software did a good job.I was very pleased with the scans even though the sharpness was not the best which is typical of most cheap expired films they often look slightly unsharp unlike Ektar.

I did slightly increase the contrast and pull down the highlights in Lightroom as the negs were pretty flat but the look they produced reminded me of Fomapan 100 with the glowing look to the images.

I think I may shoot more C-41 and process it this way maybe varying the exposure and developing times just to see what I get, obviously I am never going to get the quality of genuine B&W film but I like the unpredictability of this experiment.

I think I will try a roll or Ektar next so then at least I know how sharp the negs should be when processed normally.

Thanks for looking…..

I have a film only blog over at https://usingfilm.wordpress.com/

if you are interested in having a peek 🙂

Testing Nikon 35mm f1.8 AF-S DX on full frame ……

I love the 35mm focal length when shooting. I have various 35mm lenses to fit my old film slr’s but the only autofocus 35mm I have is the Nikkor 35mm f1.8 AF-S which is a DX lens and when I shoot with it on my D7000 it behaves like a 50mm approx. which isn’t really what I like so the lens even though very sharp stays in my bag most of the time.I have tried it on my full frame D600 and as long as I turn off auto DX mode it works great and the only real Vignetting occurred from f4 onwards and was easily sorted with lens correction in Lightroom.

I like Vignetting especially when I shoot contrasty B&W film so I decided to load up my F100 with some HP5 rated at 800 to see how the lens performed.The results were really pleasing and as the day was pretty overcast and quite dark I rarely shot above f5.6 so the Vignetting was almost no existent and the images were lovely and sharp/contrasty which is why I love HP5.I was thinking about getting the Nikon 35mm f2 AFD to shoot on my F100 and F4 but the results with this little lens really impressed and gave me the look I like with my B&W I would recommend this little gem highly especially as it is so affordable. Thanks for looking

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I also have a film only blog over at https://usingfilm.wordpress.com/ if you want to take a peak 🙂

Shooting Ilford HP5+ at 1600 iso……..

My favourite B&W film is ilford HP5 and I rarely shoot any thing else when it comes to B&W.

I love the contrast and grain it produces and depending on which developer I process with I can get plenty of looks from one film stock.

I have been reading quite a few blog posts and watching some youtube videos where various other photographers recommend shooting HP5 at 1600 iso as it don’t seem to loose any sharpness and the increase in contrast/grain doesn’t impact on the image.

I like grain and contrast so I was not all that bothered if they increased but as a test I was interested in how sharp the images were, so I shot a roll with my Nikon F100 and 50mm f1.4 which is a very sharp lens and processed it using ilfotec HC 1+15.

The results were great, the sharpness was impressive and the grain didn’t impair the look at all.

Rating HP5 at 1600 may become my standard from now on as it gives me extra versatility to be able to shoot in more lighting situations while keeping the look I like from using this film stock.

Thanks for looking

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You can find more lovely film stuff on my film only blog at ……..

https://usingfilm.wordpress.com/

Trying a new C-41 Developing/scanning service…..

After having fairly inconsistent results from processing my own C-41 at home I have been using AG Photographic to develop my negatives and then scan them on my Epson v500.

I have been pretty satisfied with what I have got and the cost has not been too high either but scanning colour negatives is pretty time consuming trying to get some sort of uniformity in appearance.

I recently came across a company online “Filmdev” who will develop and scan at various sizes depending on what I want, then let me download the images from the web before sending me a dvd with the hires tiff files and my negatives. All for the brilliant price of £5 for the 3600×2400 or £8 for the 4500×3000 scans. ( they also scan at 5400×3600 for £12 )

After posting off 2 films 1x Kodak Portra 400 & 1x Agfa Vista 200 expired I had a telephone call off David the owner telling me they have received my films and was there any particular things I required like push/pull, tiff scans or jpeg or a certain look to the scans all for no extra cost.

I decided on just straight process and corrections just to have some sort of reference next time I send more films.

I must say the results were excellent, great colours and very sharp clear scans with no dust/hairs etc, I was very impressed and suffice to say I will be sending all my films to them from now on.

The 1st gallery is the Agfa Vista 200 expired shot on my Olympus OM2n with the 35mm f2.8.

The 2nd gallery is the Kodak Portra 400 shot on my Nikon F100 with the 50mm f1.4.

Links to the company are here : http://www.filmdev.co.uk/

Thank you for looking any comment very welcome 🙂

Nikon F100 first test roll ……..

I have been looking on eBay for a while for Nikon F100 and the prices seem to vary greatly, I didn’t want to spend a fortune but on the other hand I also didn’t want to buy a well used example either.

I managed to bag this almost mint example for the bargain price of £70 which was a big surprise but I am not going to moan about it 🙂

I decided to try my Nikkor 24-85 vr lens with my 1st roll of HP5 which turned out to be an excellent choice as the images it produced were very sharp and lovely and contrasty.

I am very happy with the F100 it was lovely to shoot with and combined with this lens the images it produced were excellent, I love shooting my older manual focus Nikon/Canon/Olympus/Pentax slr’s but this was almost like shooting my D600 which I have never felt like before when shooting film.

I am going to shoot a roll of Ektar next and can only imagine how sharp the resultant negatives will be….. happy days… Film is definitely not dead 🙂

Expired Agfa HDC plus and my Nikon F4……..

Ages ago I was kindly given a bag full of film, all expired ranging from 2000 to 2009 and the friend who gave it to me didn’t know how it was stored as he himself was given it by 3rd party.

I have been using some of it to test any old 35mm camera I managed to pick up and to be honest it has all been ok but I have not shot it with a decent camera/lens combination and had it processed professionally so the other week I loaded up my Nikon F4 with some Agfa HDC plus 200 that expired back in 2002.I deliberately set my iso to 100 and also over-exposed quite a few shots hoping to get a bit of contrast and colour in the film as what I have found with the other rolls that I shot at box speed and camera exposure have all been a little flat.As with most Agfa colour films I have used before the images had a magenta tone to them which I don’t mind.

I was impressed with the contrast and sharpness too, it really made a difference shooting this film in the F4 with my nice 50mm f1.8. After our little walk I still had a few frames left and my better half had a go with the F4 while we relaxed outside our local pub shooting my happy face.All in all I am very happy with how the film performed, it really made a difference using it in a good camera and the processing was done by AG Photographic and not at home by me.

I have another 10 rolls of this as well as various other Agfa/Kodak mixture so now I know that the film works fine I will shoot these in my better cameras rather that just as test rolls in the many point & shoot/rangefinders I seem to pick up in charity shops “I have a GAS problem 🙂 “.Thanks for looking….comments most welcome 🙂

Please click on an image to view larger……

also check out my “Film Only” blog at Using Film