Amy came home from Uni for a couple of weeks and she fancied a walk up the valley, so as I had just received some new sample film developer from Spur Photochemie http://spur-photo.com/ in Germany I loaded up the OM2n with some ilford FP4 and rated it at 400 iso to test how the developer performed.
The developer in question was Spur Ultraspeed Vario and is used when you want to push or pull your film and keep as much detail and contrast in your negatives possible.
It is a 2 bath dev and this is the 1st time that I have processed this way.
Both mixes were 1+11 when rating FP4 at 400 and was processed 5 minutes for the 1st bath and followed by 15 minutes for the 2nd.
Agitation was 30 sec constant inversions then stand for the remaining 4:30 and the 2nd bath was also 30 sec constant inversions then twice every minute thereafter.
The results were very impressive indeed, the shadow/highlight detail was excellent and the sharpness and contrast were great too.
I will try pulling some FP4 next just to get a comparison and will post the results.
Thanks for looking
Click on an image to view larger…….
A few weeks back and the subject of my last post here I was sent some developer to test out by Spur Photo http://spur-photo.com/.
This time I tried out their Acurol-N developer on some Ilford HP5+. The information I was given by the company was to rate the film at iso 200 and Dev for 12 minutes at a dilution of 1-50 which I proceeded to do.
From what I have read on the web this developer should yield sharper negatives with little effect on the grain so I shot some random stuff which hopefully would show the added sharpness.
I used my Olympus OM1n and 50mm f1.8mc which has given me pretty good clean images especially at f5.6-f11, nearly all the images here were at f8.
I have never shot HP5 at iso 200 before I have nearly always pushed it as I love the contrast and grain I get from it.
I must admit I really like the images that I got, they were very sharp indeed and the grain did not seem as pronounced as I usually get with HP5 especially in large areas of uniform colour like skies in fact it was really quite smooth in comparison.
As I now have a complete darkroom setup I am going to try a few prints from the negs to see what the softer grain looks like.
Both the developers that I have tried have definitely produced different negatives than what I get from my usual dev combinations in a good way and depending on what I am after in the final image I will keep using both.
Thank you again to Spur for giving me the opportunity to try out your products I highly recommend them to all B&W photographers out there 🙂