For a change usually when I get a nice long weekend off be it summer or winter I always seem to pick the days with rubbish weather but luckily for me last weekend I got a good one.
As I still have my Tetenal E6 kit mixed from the end of the summer I decided to shoot some slide film before the chemistry went off.
As I had not shot Ektachrome for ages and with Kodak hopefully bringing back the emulsion shortly I decided to shoot 2 rolls over 2 days in both 120 and 35mm ( which will be in part 2).
I went out mid Sunday morning with the Yashicamat 124G hoping to catch some nice light on the autumn leaves/trees.
The light did not disappoint and maybe for the 1st time ever I managed to get 12 keepers from a roll of 120.
I set the meter at 80 iso and tried to meter for the shadows hoping not to blow the highlights too much.
When shooting in bright sunlight the colours really pop really enhancing the autumn colours I can’t wait to get my hands on the “New” Ektachrome when it eventually appears.
Anyway thanks for looking ….
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All images are available as prints just drop me an email
I also have a film only blog over at usingfilm.wordpress.com if you want a peek 🙂







Last week I did my good deed of the month by giving away a camera to a twitter photographer friend who was happy to pay the postage but also gave me a lovely surprise by also sending me a little Lomo camera along with a selection of films one of which was some Fuji Velvia RVP50 which I have not had a great deal of experience with.
I have shot plenty of Fuji Velvia RVP100 in both 35mm and 120 with lovely results but the RVP50 was quite a new experience.

When opening the developing drum the colours were popping even before holding up to the light and once I got the scans into Lightroom I began to understand why photographers rave about this iconic film stock.


The day that I shot the film was bright and sunny which obviously aided the look of the images with the Reds and greens almost aglow.














