#filmisnotdead – tim dobbs photography

Rollei Retro 80S … It’s Sharp

I have shot quite a bit of Rollei film and have not been disappointed with any of the results.

My main goto is RPX 400 or Retro 400 due to their versatility so as it was a pretty bright day I loaded up some Retro 80S in my old Nikon EM for a change and went out for a little walk in my usual locations.

Even though it was pretty bright I only managed to get up to f8 a few times with most of the images shot at f2.8 to f5.6 which goes to show how sharp this film stock is.

The contrast is really nice and the film grain is very smooth.

I developed it in ilford DD-X which suited the film.

This is the whole roll including a 8 frame panorama stitched together in Lightroom.

Overall if you have either plenty of light or a tripod this film stock is excellent and I will be shooting it a lot more when situations are right.

So here are the images … click to view larger

All images on my blog are available as prints just drop me an email

I also have a film only blog over at usingfilm.wordpress.com if you want a peek

Also still have a handful of zines over on my etsy store as well as some hand made film canister keychains … https://www.etsy.com/uk/shop/timdobbsphoto

New/Old Camera … Zeiss Ikon Nettar & HP5 ….

I was watching a youtube video a few weeks back … it was “Shoot film like a boss” which is a great channel for anyone interested in film photography and darkroom stuff … Where an old Zeiss Ikon Netter was featured and I was impressed with the results it produced considering its age and especially as it can be picked up pretty cheaply for a medium format camera these days.

There are quite a few different models of this camera, the one I bought was the 517/16 with the 75mm f4.5 lens.

Once the camera arrived I couldn’t wait to try it just to see if there were any problems with it as it looked in excellent condition but looks can be deceiving.

I loaded it with some expired ilford HP5 that I use when testing cameras and went for a quick local walk.

I set the lens to the marked red dots so I didn’t have to mess about as this isn’t a rangefinder and I am useless at guessing distances.

I processed the roll in ilfotecHC 1+31 dilution for 6.30 and scanned with my Epson V600.

The results were great, very sharp and contrasty and also in focus ha ha!

I would highly recommend anyone interested in getting into medium format film photography to consider getting one of these especially as if you set the aperture/focus like this you more or less have a point & shoot.

Here is the whole roll …

All images on my blog are available as prints just drop me an email

I also have a film only blog over at usingfilm.wordpress.com if you want a peek

Also still have a handful of zines over on my etsy store as well as some hand made film canister keychains … https://www.etsy.com/uk/shop/timdobbsphoto

Testing a new camera .. Olympus XA with kentmere 400 …

A few weeks ago I bought my first camera this year from a Twitter friend … I have wanted an Olympus XA ever since using my Olympus XA1.

The XA1 is very limiting with very little control over the camera other than point and shoot which is still fun and I am not knocking it but being able to have a pocketable little camera that has full control of all of the variables was very tempting.

As most people who read this blog probably know that film cameras have sky rocketed over the last few years especially the better more sought after models like the XA so I didn’t buy one until I was offered this one for and excellent price.

Anyway once the camera arrived complete with the flash which I was not expecting I was eager to try it out so I loaded it with a roll of Kentmere 400 and went out for a little walk.

The camera was a joy to use even the rangefinder focus was pretty bright and easy.

I developed the roll in ilfotec LC29 1+19 dilution for 8 minutes and the results were just as I hoped, nice sharp and contrasty images , OK nothing special to look at as I just wanted to make sure that the camera was working but as they were all in focus and exposed ok I was well happy.

I have a roll of Agfa Vista loaded as I blog this so I may add them to this post once I have finished them.

So here are the images …

Click on photo to view larger ….

All images on my blog are available as prints just drop me an email

I also have a film only blog over at usingfilm.wordpress.com if you want a peek

Also still have a handful of zines over on my etsy store as well as some hand made film canister keychains … https://www.etsy.com/uk/shop/timdobbsphoto

Fomapan 400, Canon AV1 and infosol 3 ….

I have 2 Canon AV1’s … Chrome and Black versions, I prefer the AV1 to the AE1 as I shoot mainly in aperture priority so it works much better for me.

I have not shot with any of my Canon’s for an absolute age so dug out the black version, put on the 50mm f1.4 and loaded a roll of Fomapan 400 which is a film that is growing on me especially the cost ha ha!.

It was a pretty gloomy day but I didn’t want to push it so rarely even got to f8, mainly shooting f2.8 to f5.6.

I had some infosol 3 that was gifted me so I decided to see how Fomapan 400 looked compared to my usual ilfotecHC.

The results were pretty nice, there was quite a bit of grain but the images were contrasty and reasonably sharp considering the apertures I was using.

From memory the previous rolls of 400 I developed had slightly less grain when using ilfotecHC but nevertheless I was happy with what I got.

So here is the whole roll minus 2 shots that were accidents …

Comments most welcome …

All images on my blog are available as prints just drop me an email

I also have a film only blog over at usingfilm.wordpress.com if you want a peek

Also still have a handful of zines over on my etsy store … https://www.etsy.com/uk/shop/timdobbsphoto

Short walk with the Mamiya 645 & Rollei RPX 400 ….

The last roll of RPX 400 in 120 that I shot a while back had some weird artefacts and strange grain, it was expired I grant you but I have never had that problem with this stock before.

I bought a few rolls of fresh film after this problem and got around to shooting some last weekend.

Suffice to say it worked fine, I really like the look of this film in medium format.

It has a great range of tones, nice and sharp with minimal grain.

I shot it using my Mamiya 645 & 80mm f2.8 developed in ilfotecHC 1+15 dilution.

The only thing that I don’t like about this stock is that it is a bit curly so is not the easiest to scan using my Epson v600.

Well here is the whole roll warts and all

Please click on an image to view larger …

All images on my blog are available as prints just drop me an email

I also have a film only blog over at usingfilm.wordpress.com if you want a peek

Kodak Ultramax 400 ….. the whole roll

This year I am going to shoot more film and also blog more.

Last year I was way down on both due to various reasons I won’t go into so my first blog of 2023 is a roll from last year.

I have shot 2 rolls already this year but I have a few rolls from last year that I had not even bothered to edit until now.

This was a roll of Kodak Ultramax 400 that I shot using my Pentax ME Super a few months ago, I have not shot much Ultramax before and was very happy with how it looked.

The detail was plentiful and I was particularly happy with how it rendered the greens especially as it was a pretty overcast day, I imagine this film would really pop in the sunshine.

The development and scans were done by the excellent Filmdev.

Anyway here is the whole roll, comments most welcome.

Please click a photo to view larger

All images on my blog are available as prints just drop me an email

I also have a film only blog over at usingfilm.wordpress.com if you want a peek

Trying Kentmere 400 in 120 format …. the whole roll

My favorite B&W film stock has got to be ilford HP5 due to how versatile it is.

I have pushed it to 3200 and still got great results, I have also used Kentmere 400 in 35mm on quite a few occasions and was pretty happy with what I got but it never pulled me away from using HP5.

So when all the you tubers I follow suddenly started putting out videos about the new Kentmere in 120 format I was a little taken aback as I was unaware that ilford were releasing a new film.

As I am not one of the ilford chosen few I had to buy my own to try so I got a few rolls of Both 100 and 400 iso from the excellent Analogue Wonderland.

I loaded the 400 in my Yashicamat 124g and popped out to burn a roll and see what it was like.

I developed it using ilfotec DD-X 1+4 dilution for 11.30mins and scanned using my Epson V600.

First look at the negatives and they looked very flat with minimal contrast.

When scanning that is exactly how they turned out but that isn’t a bad thing because once they were in Lightroom the dynamic range was excellent and with just a few tweaks the images looked fine with great tonal range, minimal grain and nicely sharp.

Overall this film is a winner for me as it is only £5 a roll and gives great results .. I will have to try pushing the next roll to 800 or even 1600 to see how it copes, I regularly shoot HP5 pushed and love how that looks.

Anyway here is the whole roll, comments most welcome.

Please click a photo to view larger

All images on my blog are available as prints just drop me an email

I also have a film only blog over at usingfilm.wordpress.com if you want a peek

Trying Kodak Gold in 120 format … the whole roll

When I heard that Kodak were producing Gold in 120 format I was pretty excited .. not because it was Gold as I haven’t really shot too much of it in the past and to be totally honest I had to look on the internet for samples just to see what it was really like .. I was excited because I shoot film 95% of the time I was happy that there was another film stock on the market.

I pre ordered a 5 pack from the brilliant https://analoguewonderland.co.uk/ and eagerly waited for it to arrive which wasn’t all that long to be fair.

As it was a 200 iso film I didn’t want to rush out and just shoot the film I wanted to try it in nice light so it was a fortnight before I eventually shot it.

I used my trusty Yashicamat 124G and went out on a nice long walk in the sun.

I had the roll dev/scanned by https://filmdev.co.uk/ and was very happy with the results.

The film was lovely and sharp and considering how bright it was on the day the latitude was great with no blown highlights and plenty of detail in the shadows and very little grain.

Like many of the examples online that I have seen the film gives a nice warm look which obviously helps if you shoot it in the sunshine.

My usual colour negative film is Lomo CN400 which I love but Gold 200 really impressed me, the only thing that I would like is is the extra stop that CN 400 gives but for my next roll I will push it to 400 just to see how it performs.

I would thoroughly recommend this film and the best thing is the price compared to others on the market … it’s great value

Anyway here is the whole roll …. comments welcomed

Please click a photo to view larger

All images on my blog are available as prints just drop me an email

I also have a film only blog over at usingfilm.wordpress.com if you want a peek

I don’t take portraits … well maybe I do? .. latest zine project

I have been making my own zines for a few years now and find the whole process very enjoyable especially when you get a finished copy of your work in your hands.

“I don’t take portraits” is my latest offering and is a slightly misleading title as it only features portraits that I have sort of unknowingly shot over the past few years.

What I mean is I never intentionally go to shoot portraits but I have seemed to have accumulated at least one frame from most of the rolls of film I have shot either as a way of testing the film/lens/camera combination or just to start/finish a roll.

Last month I went totally out of my comfort zone and agreed to an interview with Euan over at Biblioscapes … https://biblioscapes.com/ to talk about this new zine.

I don’t usually do this type of thing but Euan made the whole process very relaxed and easy.

Biblioscapes is a great site featuring a wide variety of photographers and styles and I enjoy listening to all of the interviews, I am honoured to be amongst such good work.

Here are the links to my waffling if anyone is interested ..

https://biblioscapes.com/in-discussion/tim-dobbs

and the zine itself ..

https://biblioscapes.com/library/i-dont-take-portraits

I had the zine printed by the wonderful Mixam who always do a great job.

Here is a link to the online proof that they generate before it went to print.

https://mixam.co.uk/share/6161d5d06810b6546dda72c4

Comments on the zine and my waffling all about it will be gratefully received.

Also I still have a handful of copies left so if anyone of you would like one please get in touch either through Twitter .. @timdobbsphoto or email .. timd.photography@gmail.com for details.

I have a few spare zines left from previous and I will be giving one free with each Portrait zine.

Trying Silberra Orta 50 ….

As I have said before I am trying to spice up my photography this year by trying different things so I decided to try out a roll of film that has been in my fridge for ages … Silberra Orta 50.

I have had this roll for over 2 years and have tried ilford’s Ortho offering before digging this out.

I really liked how Ortho 80 looked when I tried it so I was looking forward to seeing how Orta 50 compared as they are both Orthochromatic films.

You can see my previous blogs of Ortho 80 here:

ilford Ortho Plus pushed to 400 by accident but I think it worked … the whole roll

Eventually trying ilford Ortho Plus 80 …..

It was a reasonably bright day so I loaded my Nikon F90 which I have been neglecting recently and went out for a walk.

When I returned home and opened the Massive Dev app to decide how to develop the roll I realised that the only developer that I had that was suitable was Rodinal which as it happens was the developer I used when shooting Ortho 80 last time.

The dilution/times were 1+25 for 11 minutes

The resulting negatives were extremely contrasty looking out of the tank and just the same when scanning.

I am not sure if it is the developer or the film stock itself but most of the images had a sort of a glow about them and quite a few of the highlights had blown out.

The overall look was pleasing and I liked the contrast and sharpness but compared to ilford Ortho 80 the tonal range was far more compressed.

If I had to choose which stock I would shoot again it would have to be Ortho 80 to be honest as Orta 50 was a bit too harsh for me and the grain was a little too intrusive but that may have been the fault of using Rodinal.

So here is most of the roll minus some duplicate frames.